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When their daughter becomes seriously ill, their love is put on trial. Franck falls in love with Michel, an attractive, potent and lethally dangerous man. While Guiraudie perfectly captures a Gothic-like sense of summer days as hazy-but-dangerous-under-the-surface, the film is ultimately just...pretentious.
Franck knows this but wants to live out his passion anyway. Even in a film that is very much about sex, they manage to make the sex scenes feel superfluous. (even though as of now, it's not certain whether or not they will participate in Eurovision 2017) Watched on 15 September 2016. It's difficult not to love a movie with this much ABBA music in it. A visually beautiful documentary, that maintains a good pace despite being nearly two hours long, and not much happening in terms of narration or dialogue.
17 years old Sangaile is fascinated by stunt planes.
She meets a girl her age at a summer aeronautical show. It's so predictable and cheesy, but to be fair, that is exactly what I want in lesbian films.
It just feels like another arthouse film that thinks it's deep because it makes you feel sad, rather than relying on actual storytelling. Because I support the BDS movement, I decided that I couldn't in good faith support an Israeli film, and chose to watch a Palestinian one instead. It's an interesting exploration into the main character's response to trauma, but the slowness that is integral to the character's development is also what makes the film quite difficult to watch. The film is a perfect balance of the informative and the entertaining, the personal and the wider-scale.
I am aware of my own cognitive dissonance (and perhaps hypocrisy) in the fact that MANY countries on this list have committed human rights' atrocities. The comic-book style works absolutely amazing to convey fear and the urgency of the cause, without completely desensitising the viewer to the oppressive atmosphere. The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. See full summary » Director: Aki Kaurismäki Finland! While the movie is funny at times, and has some good songs in it, ultimately I just have no idea what the hell it's trying to do/say/be.
And just when it seems he can't beat the beast and all is ...I feel they could have used some of that time to flesh out more of the characters and their motivations instead. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. The story progresses very slowly, which is not actually a problem, because it keeps being engaging. Absolutely beautiful in terms of landscapes and lighting, but then again it's quite difficult to mess that up when you're filming in Iceland. The music is great, and whoever did Lucy Boynton's makeup and costumes is my absolute hero. I would have liked a little more exploration of the brother's character. I adore Toni Collette's mix of comedic and dramatic acting, and the whole movie feels like a slightly camper Australian version of Thelma and Louise. I am questioning the ethics of bringing out a documentary like this in times where the media is saturated with the images of refugees, to the point where people start to become unaffected by it.However, the conflict only starts about 20 minutes from the end, so I might have enjoyed it more if they kept the same pace, but just started somewhere around the middle. The story is simple, as is the score, but that fits the minimalist style that it's going for. It's a more nuanced image of "allochtone" masculinity than I expected, and the characters are all worked out very well, and the three main actors are convincing. Despite going in with a lot of (negative) preconceptions about the Dogme movement, I ended up really enjoying the movie, because of the complicated family dynamics depicted. I think overall the film maintains a good social message without becoming exploitative.Political party leader David Holst, one of Sweden's most popular politicians, is handsome, funny, popular and predicted as the country's next Prime Minister. See full summary » Director: Tova Magnusson Sweden! A funny comedy about Swedish politics that's still accessible to non-Swedes like me.I absolutely loved some of the costumes that Eric Ericson wore, and of course Tova Magnusson was amazing as always.