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He mourns the fact that he was never able to complete the sexual act with Annabel and describes one encounter in the mimosa grove where they came very close.He tells the reader that he was only able to break free of Annabel’s spell when he met Lolita, more than twenty years later.In the summer of 1923, Humbert meets a twelve-year-old girl named Annabel Leigh, who is traveling with her parents.Although Humbert and Annabel are initially just friends, that friendship soon changes into passionate, adolescent love.The first chapter combines both elements that Ray commented upon: unrepentant lust for a girl-child and the elegant language of a man who is determined to tell the story from his own point of view.This emphasis on language sets most of Nabokov’s work apart from other novels of its time.This involvement occurs even though most readers are repulsed by the subject matter, pedophilia.Humbert relies on elegant language that will prove to be very persuasive, even though Humbert himself may not earn our sympathy and often acts monstrously.

Swain owns the movie just as Lolita seizes the role of protagonist.Lost is a crucial thematic thread which exposes a rival type to Mr.Humbert, in this case a pornographer posing as a respected playwright — among the staff and students of Lolita’s private school where he watches rehearsals from the shadows.One of the features that makes Nabokov’s groundbreaking book so disturbing is that it brings the reader fluidly inside Humbert’s troubled subjective mindset, beginning with a palpable connection to a romantic tragedy he suffered as a boy.Having lost his first love (a 14-year-old girl) to disease only months after frolicking with her on the French Rivera has distorted Humbert’s ability to love.

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